Category:Copyright

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Copyright Implications of Generative AI Systems
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Public Consultation Underway for Australian Copyright Enforcement Regime
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New Guidance for Digital Content Creators’ Metadata from the U.S. Court of Appeals
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Lovely Jubbly? Fictional characters are capable of copyright protection in the UK
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Developers Denied Double Dipping Damages
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The NFT Collection: The rise of NFTs – Copyright strikes back? (Part 3)
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The NFT Collection: A Brave NFT World – A Regulatory Review of NFT’s (Part 2)
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The NFT Collection: NFT Basics and Opportunities (Part 1)
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Diving Deeper Into the Amendments to the Australian Designs Act: Tips, Tricks and Risks (Part 2)
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Copyright Dispute Over Andy Warhol’s Portraits of Prince Heading to U.S. Supreme Court

Copyright Implications of Generative AI Systems

Generative AI systems like ChatGPT and DALL-E have been attracting media attention for their potential to cause disruption across a range of industries. In a recent report, Goldman Sachs estimated that generative AI systems could impact 300 million full-jobs globally. In the same report, Goldman Sachs found that the same AI systems could also boost global productivity and lead to a 7% increase in annual global GDP.

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Public Consultation Underway for Australian Copyright Enforcement Regime

On 24 November 2022, the Australian Attorney-General the Hon Mark Dreyfus KC MP announced the Attorney-General’s Department intention to release an issues paper for public consultation, as the first stage of a review into Australia’s current copyright enforcement regime. The broad aim of the review is to understand:

  • Current and emerging copyright enforcement priorities and challenges;
  • Whether Australia’s copyright enforcement regime remains relevant, effective and proportionate; and
  • Whether existing enforcement mechanisms need to be strengthened, and if so, how this could be done without imposing unreasonable administrative or economic burdens.
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Lovely Jubbly? Fictional characters are capable of copyright protection in the UK

Considering the UK’s rich history of literature, it may be somewhat surprising to know that there was very little case law discussing whether copyright might subsist in a fictional character. However, on 8 June 2022, the UK courts finally tackled whether a fictional character can be protected under copyright law in Shazam Productions Ltd v Only Fools The Dining Experience Ltd & Ors [2022] EWHC 1379 (IPEC).

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Developers Denied Double Dipping Damages

The rule against double recovery, which operates to ensure plaintiffs are not compensated twice in respect of the same loss, is well-known and generally arises for judicial consideration where there are joint and several tortfeasors. The recent decision of Look Design and Development Pty Ltd v Edge Developments Pty Ltd & Flaton [2022] QDC 116 by Judge Long SC of the District Court of Queensland considered the rule against double recovery in the context of separate proceedings against different defendants. This case confirms that where damages for copyright infringement are compensatory, the fact that a plaintiff has already received an amount of damages from one infringer will serve to reduce the damages payable by the other.

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The NFT Collection: The rise of NFTs – Copyright strikes back? (Part 3)

In a recent post, we examined the regulatory landscape of NFTs (see here). In our third of our series on NFTs, we will address the intellectual property concerns often highlighted by NFT critics.

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The NFT Collection: A Brave NFT World – A Regulatory Review of NFT’s (Part 2)

In a recent alert, we painted the big NFT picture, highlighting what a non-fungible token (NFT) means and the opportunities they present (see here). In this second part of the NFT series, we will take a deeper look at local regulatory control (or lack thereof) in this uncharted territory.

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The NFT Collection: NFT Basics and Opportunities (Part 1)

NFTs have gone mainstream. But what are NFTs? Should your business develop its own NFT? How are they regulated? In The NFT Collection series of alerts, we will delve into these questions to help your business understand this new technology.

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Diving Deeper Into the Amendments to the Australian Designs Act: Tips, Tricks and Risks (Part 2)

In part 1 of this series (here), we considered the welcome introduction of a 12 month grace period that came into effect as of 10 March 2022. The grace period protects a design owner against inadvertent disclosure of a design before an application for protection of the design is filed – previously, this was fatal to having enforceable design rights. In part 2, we delve into the prior use infringement exemption that concurrently came into effect to mitigate the commercial risks that might arise as a result of the grace period.

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Copyright Dispute Over Andy Warhol’s Portraits of Prince Heading to U.S. Supreme Court

The U.S. Supreme Court will review the standard for a “transformative” work as “fair use” under the Copyright Act.   Specifically, whether a second work of art is “transformative” when it conveys a different meaning or message from its source material, or not where it recognizably derives from and retains the essential elements of its source material.

The Court agreed to review the Second Circuit’s decision that Andy Warhol’s Prince Series portraits of the musician Prince did not make fair use of celebrity photographer Lynn Goldsmith’s photograph of Prince.  Andy Warhol Found. for the Visual Arts, Inc. v. Goldsmith, No. 21-869 (petition granted Mar. 28, 2022).   

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